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Furthermore, at the end of the film Hill seems to be unhappy that he's alive but normal rather than dead like all his friends. That no one seems to get that mesage is the viewer's fault not Scorsese's. This aspect of Roger Ebert Film School Lesson 31 Goodfellas 1990 plays a vital role in practical applications.
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Moreover, at the end of the film Hill seems to be unhappy that he's alive but normal rather than dead like all his friends. That no one seems to get that mesage is the viewer's fault not Scorsese's. This aspect of Roger Ebert Film School Lesson 31 Goodfellas 1990 plays a vital role in practical applications.
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